The world of sounds which we face sometimes on the basis of concentration and sometimes casually is full of meaningful treasures. Besides it we all pass through several zones of silences. Sensitive poets take their subjects even out of these zones and because of their strangeness they often escape the consciousness of common readers. Iftikhar Jalib the pioneer of New Poetry Movement in Urdu was fond of entering into the zones of new unnoticed silences and noises. When he brought his new subjects in the realm his poetry common Urdu poetry readers faced problem of none communication. Qadeem Banjar is his long poem. In it he depicted his experiences in new formative modes of Urdu poetry. This poem needs thorough critical examination. The scribe of this article has tried to give a meaningful explanation of the method used by the poet in this poem.
سعادت سعید. (2017) لفظوں کے جہانوں کی دھما چوکڑی اور معنی بند شاعری, Bazyaft, Vol 30- 31, Issue 1.